Sunday, 28 September 2008

Cellaring Aussie Wine?

I met Robin Tedder MW this week. The amiable Aussie, who doesn’t mince words, was showing me his range of wines and he said something that really shocked me. It wasn’t when he commented that a fellow Aussie was only in the business for the money, nor was it that he was saying he doesn’t want to make the big Aussie wines that everyone else is. What made me surprised was that he was promoting the cellaring of his wine.

Now you know as well as I do that nearly all wine benefits from some time in the cellar, and that some wines from down under can mature to be outstanding wines, but we also are all too well aware that Australia has made it’s name on the international scene by saying “you don’t need to cellar this bottle, you can open and pour”. I’ve spoken to numerous other new world winemakers who, when asked if their wines age well, have told me that they can spend time maturing but it is better to drink them now. Of course they would! They want to sell their latest vintage as soon as possible to make their bank manager a happy chap and if people are hoarding older vintages they won’t manage to do that. But I didn’t even have to ask the question to Tedder, he offered the information to me before I could open my mouth, advising me that “this wine needs time” or “this will outlive me”. I didn’t think that these words were in an Australian’s vocabulary!

I tried eight of his Glenguin wines with him. The 2007 Old Broke Block Semillon (£9.99) was light, with a hint of smoke, some lemon aromas and a super clean palate with spice and bucket loads of lime. The finish had great acidity and was long. 8/10

Moving on to the Protos Chardonnay, 2007. Only 300 cases of this wine is made, which has a bit of mango, some burnt toast and a little butter. The palate has more mango, some cedar, a little smoke and a little alcohol heat. A long clean finish. I scored it 8/10, only because it is £18. It really isn’t an eighteen pound bottle of wine, however, and this is a big however, it is a very good wine. If you are looking for a chardonnay, you can save yourself some money and buy something else. If you are looking for a very interesting wine experience, this is worth the money you are paying and then some.

The 2003 Stonybroke Shiraz Tannat is very good. It is rich, round, stewed fruit with a bit of eucalyptus and tobacco. There I s a dry, full bodied palate, some bramble and dried herbs There is then some tobacco on the finish, with cocoa powder and a lot of dark chocolate. At £13 it is an alright value for money wine but it would be better if it was cheaper. 8.5/10

The 2005 of this wine goes up another £2 per bottle, and I’d be happy to spend that amount on this. Despite it being too young and closed, there is dark fruit with a lot of tobacco hiding the cassis fruit. There is a vegetal element, some dark woody bramble leaf flavours, then dark stewed fruit comes in. It has got some spice on the finish which is super clean and with a bitter element at the end. 9/10.

Onwards and upwards with the 2004 School House Block Shiraz. Stewed bramble galore, a little blueberry pie too, then a dark, dried oak leaf aroma. The palate has firm tannin, a lot of berry fruit and a small dash of spice There is aniseed and liquorice on the finish. A solid wine, but not brilliant. It also retails at around the £17 mark, so I’d give it a bit of a miss, particularly die to the fact that the ’05 Shiraz Tannat is so much better. 8/10.

But the wine I’d have over all of them is the 2005 School House Block Shiraz. With 4% viognier in the mix, this vegetal wine, with a lot of green peppers and vanilla rice pudding coming through the bramble, is a stonking good wine. A sweet start once you have taken a mouthful, but then dark chocolate and Bertie Basset smoking a Bolivar – all liquorice and tobacco. The finish has more of these dark flavours with a lot of cassis and, surprisingly, redcurrant. This is a very good wine and I’d expect it to be around £20. 9/10.

The 2003 Aristea Shiraz has a very rich, round, dark fruit aroma. It is a bit like Granny’s fruitcake, laced with all sorts of alcohol. The palate is more of the same, with gentle tannin. It is a very good, and very drinkable, wine with a hint of tobacco on the finish. 8/10, but at £30 it is a little steep.

Similarly priced, the 2005 Aristea Shiraz is a different beast altogether Dark, haunting aromas. Some bramble, liquorice, dusty concrete and a lot of very dark chocolate There is some tobacco on the palate, which is mingling with dried fruit and an earthy element. There is a sweet, dry spice on the finish that just lingers with you for what feels like hours. This is very very good and is very Rhonesque, but with a little extra oomph. 9.5/10

Finally, one of my favourites. The 2006 Glenguin Botrytised Semillon. Lots of grapefruit, a little lemon pith and lots of light honey. The palate has some caramelised grapefruit, more of the honey and just a touch of the dirty botrytis flavour. Not too sweet either, which is fantastic. 9/10.

My conclusions are simple, and threefold. Firstly, these are all good wines. Secondly, in lesser years you would not be disappointed with the wines but would have a small niggle in your head as to whether the wine was worth the money, yet in good years, you have a different type of niggle as you wonder how you got that wine so cheap! And finally, the third is that I’d like to have a beer with Robin Tedder. He’s a chap who is very nice company, but has a wonderful attitude to wine that is a marked difference from a lot of people in his position. He appears to love wine itself, not just his own products and that, from a new world producer, is a rare thing.

And please note that not once, unlike every other article I’ve ever read about Tedder, did I mention that his grandfather was Air Chief Marshall Arthur Tedder…. Oh crap, I just did. Damn!

By Peter Wood with 3 comments

Sunday, 14 September 2008

Crap of the Week - Breathable Glass


A note to read first: I AM NOT REVIEWING THIS PRODUCT, I AM COMMENTING ON THE ADVERTISING OF THE PRODUCT.  IF YOU WANT OPINIONS OR A COURT RULING THAT SAYS THIS PRODUCT HAD UNPROVEN CLAIMS TO BE 'BREATHABLE', LOOK AT THE LINKS WITHIN THE COMMENTS SECTION.  ALL I WAS DOING WAS COMMENTING ON THE DAFT WAY IN WHICH THESE GLASSES WERE MARKETED.  IF YOU DON'T UNDERSTAND THIS, PLEASE DON'T READ THIS ARTICLE - PARTICULARLY IF YOU HAVE ONE OF THESE GLASSES - AS I REALLY CAN'T BE BOTHERED WITH MORE CRITICISMS OF MY WRITING WHEN YOU HAVEN'T PROPERLY READ THE ARTICLE IN THE FIRST PLACE!  

I have to quote you this, it is that stupid. It comes from the I want one of those website.

"Good wine should be enjoyed in the perfect conditions, and as well as getting it to the right temperature, it should also be drunk from the right glass. To fully enjoy your wine you probably won't want to be swigging it from the bottle (even in an emergency) and yet waiting for it to "breathe" fully for an hour or two is really rather boring, and always feels a little O.T.T., especially if you only paid £4.99 for the bottle.

Nevertheless, breathing wine does make a difference to getting the best out of it, a considerable one, so how to avoid that interminable wait, and yet reap the benefit? Until now the rather snooty wine industry buffs have poo-poo'd all modern contraptions for speeding up the breathing process, but this invention has set the wine elite on fire. The Breathable Glass designers have come up with a top secret formula that not only greatly improves the "nose" (smell to you and me) of your wine, but renders any wine poured into the glass ready for drinking within a few minutes. This means you can enjoy that vintage bottle you've been hiding in the cellar for the last few years without clearing a huge window in your schedule.

A few minutes in one of these glasses is the equivalent of it sitting in a decanter for one to two hours, and without any change to the wine's character and structure. Of course you don't need to be a wine lover to appreciate the genius of these glasses as they will work just as well with spirits and fruit juices, lifting the flavours head and shoulders above normal glasses. Discover just how great your wine can taste with the most revolutionary wine improver to hit the market in years."
What a load of crap. Firstly, if you are spending only £4.99 on a bottle of wine, you are very unlikely to go out and spend £25 on two of these miracle glasses. Hell, I'll happily spend £25 on a bottle of wine and wouldn't spend £10 on a wine glass! Secondly, allowing a bottle to breathe for a couple of hours doesn't prohibit you from doing other things, so it shouldn't really be boring, nor do you have to "clear your schedule" . Simply thinking ahead will suffice. Also, if you have the patience to put a bottle of wine in your cellar for a couple of years, two more hours in a decanter isn't going to make any bloody difference. Finally, and this is the bit that amused me the most, it can improve your spirits and fruit juices as well - what sort of tripe is that?!

If you want to buy these miracle products, they cost £24.99 per pair from I want one of those.

If you have bought a pair, you can get psychiatric help here.

By Peter Wood with 12 comments

Friday, 12 September 2008

Someone does it right - Highland Park 40 Year Old

There is often the urge by distilleries to launch an old whisky, in fancy packaging, and punt it out as a 'limited release' for a couple of grand. Highland Park, the most northerly distillery in Scotland, has done something incredibly sensible. They have released a 40 year old whisky, in very fancy packaging, for an attainable price.

I've not said affordable, because it isn't! It retails at about nine hundred quid which most people would think was an absurd amount of money to spend on a drink, but for a whisky buff that really wants one, it is at a reasonable price point so they can save up and buy it, unlike the usual four figure bottlings from other producers. Also, unlike the other producers, Highland Park 40 year old is going to be an ongoing part of the range, which comprises of the 12, the brilliant 18, the 25 and 30 year olds, which means that there is no rush for the person get a bottle before they are all gone.

Another trick used by the distilleries is a lack of tasting stock, and a lot of distilleries throw out pretty mediocre liquid in these 'special editions', safe in the knowledge that few people are going to try it. Most bottles will sit, gathering dust on a shelf in some collector's living room, annoying their wife, but I was fortunate to try this 40 year old, and thankfully, it was pretty good!

It showed a nice, sweet aroma with some cloves, honey, lemon and butterscotch in there too. Orange peel was next with a tiny hint of mint. The palate was dry, some burnt notes, but a sweet, spicy mid palate with some cinnamon, raisins, chocolate and cardboard box! The finish is long, warm, and with a bittersweet element always present. 8/10

It isn't a mind blowing whisky, and nor is the liquid worth £900, but it is a good, solid older malt nevertheless, and if you are a Highland Park nut or a collector, I wouldn't think you were crazy for spending that sort of money on this. But the main thing about this whisky, is that this is the sort of attitude that the Scotch industry needs - a distillery that is thinking about it's fans, not exploiting them.

Highland Park

By Peter Wood with 1 comment

Monday, 8 September 2008

News: Threshers to axe 5000 products

On the front page of Off Licence News today, I read that the Threshers Group are planning on taking a scythe to it's range, cutting back from six thousand products to one thousand. And you can't really blame them. The group is an amalgamation of numerous companies, and each will have brought a little bit of their own range into the company, making it un managable. By cutting back it's range to a thousand of their most profitable products won't really affect most Thresher's customers, who generally don't give a stuff about the wine they are pouring down their neck as long as they are getting a 'deal' with the 3 for 2 dynamic that is heralded as a super saving. A move away from bulk selling and going back to 'retail', as proposed by Yvonne Rankin, chief executive of Threshers, might also help turn the company's financial situations around, but I have a question.

Recalling my visit to a Wine Rack a few days ago, where I saw double facings of almost every product, the thought that immediately entered my mind when I saw this article was "if Threshers have 1000 products, let alone six thousand, where the hell are they?"

By Peter Wood with No comments

Friday, 5 September 2008

The Don LaFontaine American Wine Challenge - Bogle Wines

At one end of the spectrum you have Screaming Eagle, at the other, Gallo and ‘2 Buck Chuck’. It is the middle ground that opens up the Pandora’s box of American wine, and while there is plenty of £20 wine, think Seghesio and Ridge as examples of excellent products, the sub £12 wine price point is as tricky as Penn and Teller. And it shouldn’t be.

Exchange rates are a pain in the ass. Take the pound/Euro exchange rate as an example. A year ago, there was €1.45 to the pound, which translated into a €4 bottle of wine costing £7.99 on the shop shelf. Now, that same four Euro bottle costs a pound more by the time it is bought by the British consumer. And things are just as problematic with Australia and New Zealand.

So this is why I started looking to America. With the dollar only losing out in the “least valuable currency in the universe” title to Zimbabwe, I figured that American wines should be offering the value that European wines can’t. Would a Californian Chardonnay be able to stack up against the best Bugundy can offer, pound for pound? Similarly, would Kiwi Sauvignons, Aussie Shiraz and French Cabernet be be beaten by the rebellious colonials in the land of the Stars and Stipes?

So, in the spirit of the late Don LaFontaine, I commenced on my quest

“In a World where the American economy is on it’s knees, one man (me) aims to find a range of inexpensive wine that beats the best of Europe and the Commonwealth – for under Twelve Pounds”

I started with Bogle.

Would the 2006 Bogle Chenin Blanc match up to the best from South Africa? It has nice round aromas, a bit of peach and a little petrol strangely. The palate is soft, with just a touch of sweetness and some spice on the hot, bitter finish. It’s not bad. 7.5/10 (£9.00)

Onto Chardonnay from the 2006 vintage. It was an oak fest. Loads of melon, pineapple skin and so so so so so so much oak. I’d have had less oak in my mouth if I went up and licked a tree. It is gutsy, buttery, creamy, vanilla-y – everything you want if you are an oak fiend, but nothing you want if you like wine. 6/10 (£10.00)

And then it got worse. The 2006 Bogle Viognier was terrible. Pear and peach on the nose, with Floral Gum sweets and a bit of cheese. This was ok. Then you put it in your mouth and all it gave you was overcooked Brussels Sprouts blended with vodka. It was horrible. 5/10 and that is being generous. I also noted on the Bogle Website, that the only one of these wines that didn’t win an award of some description, was the Viognier, which begs the question, ‘should they bother?’ (£10)

The 2006 Bogle Petite Sirah however was good. A bit of confected stink on the nose, but mixed with blueberries. The palate is chocoate, tobacco and a nice spice and under ripe bramble. There is a bit of heat on the finish, but it is dark and brooding with some liquorice. 8/10 (£11.00)

Finally was the Bogle Old Vine Zinfandel, 2006. It had sweet cherry on the nose, a but of candy necklaces too. The palate was strawberry, a bit of spice but was impressive for having structure, though light. It was nice on the finish too, a little hot alcohol, but a nice Zin. 8.5/10 (£11.00)

I like these reds, and the Chenin, but really the Viognier and the Chardonnay bugger the whole thing up. I’m glad they produce a Petite Sirah as it gives them a point of difference, and their Zin shows a very restrained, not overly sweet style, that I like very much. The Chenin Blanc is alright, but South Africa would kick it’s ass every time. The one field that these wines could have beaten the nations with prosperous currency, Bogle lets the USA down so badly by making a typically overoaked Chardonnay and a Viognier that can only be described as cabbage water.

If you produce, sell or simply know of a range of American wines from one producer that is really, really good, please email me at thetastingnote@gmail.com

Bogle Website
Don LaFontaine Website

By Peter Wood with No comments